![]() ![]() I've heard many videos of the Tupelo which I think sound great, as well as many of the others mentioned.Ĭhances are that I'll get what i think i want then after a few years my tastes will change, just like most of us with any instrument. I find in direct comparisons i tend to like 12" vs 11" tonewise, but haven't played them to know if there's a major difference in comfort.īest I think i can do is find videos and sound clips that i like and try to find out what it is they're playing (hoping that it's a fairly representative recording). I also am trying not to go too far down the rabbit hole of options, as I don't have enough experience to know exactly what I'm after. #Ome jubilo tenor plus#Plus I like the sound of most of what I've heard. Rickard, being a Canadian builder, has some advantages in that I can purchase locally without having to worry about import taxes, etc. Here's the thing, I live in Canada which means high shipping costs, pretty bad exchange rate and additional import taxes, so the prices are much more than they would be to a US buyer. The ones where I've found the most discrepancy between videos and sound clips is Pisgah banjos, so my concern was that there might be consistency issues. I was attracted to Pisgah's philosophy on the sustainable woods, as well as the customization options for a production builder, along with the prices. This is all really great input! For what it's worth, I do really like the sound of a lot of Lukas Pool's banjos, but noticed the 2 year plus wait plus they would be above my price range. Paired with goatskin heads, they have that great old-timey chunk. I also like Patrick’s banjos, especially the ones with persimmon fretboards tone rings. Mike Chew is just finishing a 12” Dogwood for me. I have an 11” Rickard Maple Ridge and a walnut OME Flora 12”. Just so you know, Gryphon Strings actually gives the weights on the banjos they have in stock. The more hooks, the more focus and clarity the sound. If you are looking for crisp and clear tone, then make sure you buy a model with more hooks and nuts as these are what keep the tension on the head. You might also look at Ute, which is OME’s lower end model, which you can buy direct. The Reiters and Enochs are also a good choice, but the 12” models sell quickly. He has a lot of nice videos for illustration. Stay with a synthetic head, and maybe something with a Dobson tone ring, or rolled brass. To the OP, if you are looking for crisp, not too thudding, skip the Tupelo, as it has a wooden tone ring. You can really go down the rabbit hole trying to understand the different heads, bridges, strings. Open back banjos are seeing a lot of popularity. Will Seeders, Lukas Pool, all great builders, but with long backlogs. Then there are folks like Riley Baugus who make a few banjos a year when not on tour. Rickard also makes some fancy instruments, crazy spun rims, half fretted necks for those who like a challenge and a unique resonator banjo design. Bill Rickard does the same and I must say, his tuners are #1. and this includes Cedar Mountain and Dogwood. ![]() He supplies many builders, through Balsam Banjo with necks, hardware, etc. I’m not sure I’d liken them to Weber, because Patrick is unique in that he wants to use sustainable local woods. Pisgah, by the way also owns Balsam Banjo works which makes the hardware for a lot of builders. Comes with TKL hardshell case.There are a lot of great builders in the banjo world. The scale length is 23″ with perfectly straight neck, two-way adjustable neck truss rod, hardened nickel-silver frets & 30mm bone string nut. This model features the OME vintage flathead tone ring & 3-ply maple rim, Heavy notched brass tension hoop & 24 brackets, One-piece zinc-alloy resonator flange and clamshell tailpiece. ![]() The heel cap is also finished in matching rosewood and the resonator is figured maple with rosewood side binding. The rosewood headstock has MOP inlay with the ‘OME’ brand name, complete with OME Planetary tuners with pearl style knobs and spring tensioned hand screws. The five piece neck is constructed from tiger maple with centre ebony/rock maple laminate for strength and stability. The tonewoods used in the build of these banjos speak for themselves giving them a voice that will cut through any loud acoustic session. This is a superbly made professional level 19 fret tenor banjo in very good condition, made in the 80’s. ![]()
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